![]() Step Four: Photoshop turns your image into a high-contrast black-and-white by mapping the shadows in your image to your Foreground color chip (black) and your highlights to the Background color chip (white). Step Three: Click the half-black/half-white icon at the bottom of your Layers panel and choose Gradient Map. Just press X to flip-flop them so black is on top. If it’s white, that means the layer mask of the Black & White 1 layer is still active. Step Two: Take a peek at the color chips at the bottom of your Toolbar (circled) and press the D key on your keyboard to set them to the default of black and white. ![]() Click on the layer thumbnail of the Black & White 1 layer so it’s active and not its mask. Step One: Hide the layer named Black & White 1 by turning off its visibility Eye in the Layers panel (circled). This method doesn’t give you any sliders to adjust, but it often produces a beautiful, high-contrast, black-and-white right from the start. Tip: The Preset drop-down menu near the top of the Properties panel has a slew of useful canned settings-just choose each one to see what it looks like. The cursor turns into a pointing hand with an arrow on each side (also circled) to indicate that you can drag from side to side to adjust that color drag left to darken or drag right to lighten. To do that, click the on-image adjustment tool (circled) near the top left of the Properties panel, mouse over to the image, position the cursor atop the area you want to adjust, and then click-and-hold your mouse button. Or, instead of using the sliders, you can tweak a certain color by dragging atop the image itself. Drag a particular color’s slider to the left (toward black) to make areas that include that color darker, or to the right (toward white) to make areas that include that color lighter (the colored bars under each slider give you a clue as to what dragging in each direction does to your image). Step Three: In the Properties panel that opens, adjust the sliders to your liking. Step Two: With the top layer active in the Layers panel, click the half-black/half-white circle at the bottom of the Layers panel (circled) and choose Black & White. You should see the original full-color image. Step One: Hide the layers named Desaturate and Brightness/Contrast 1 by turning off their visibility Eye icons in the Layers panel (circled). This method gives you a set of sliders that you can use to adjust contrast. You can check out my article on dodging and burning in the September issue of Photoshop User by clicking here. ![]() Tip: Alternatively, you can adjust contrast in certain areas by using the Dodge and Burn tools (O). Step Four: In the Properties panel that opens, adjust the sliders to your liking. Step Three: To adjust the contrast, click the half-black/half-white circle at the bottom of the Layers panel (circled) and choose Brightness/Contrast. Photoshop drains the color from your image, leaving you with a black-and-white. Step Two: Choose Image>Adjustments>Desaturate, or press Shift-Command-U (PC: Shift-Ctrl-U). Either way, double-click the name of the new layer in the Layers panel and enter “Desaturate.” This combines all visible layers into a brand-new layer, leaving the original layers intact. Alternatively, press-and-hold Option (PC: Alt) as you choose Merge Visible from the Layers panel’s flyout menu at the top right. If your image is comprised of multiple layers, activate the topmost layer and press Shift-Option-Command-E (PC: Shift-Alt-Ctrl-E). If you don’t like the effect, you can simply delete the duplicate layer. That way, the adjustment we’re about to make happens to the duplicate layer and not the original. Double-click the image in the Libraries panel (Window>Libraries) to open it in Photoshop.ĭuplicate the Background layer by pressing Command-J (PC: Ctrl-J). If you’d like to download the low-res watermarked version of this image to follow along, click this link, log in with your Adobe ID, and click the Save to Library button. Step One: Choose File>Open and navigate to the image you want to open in Photoshop. You’ve probably heard the saying, “You get what you pay for.” In Photoshop, that means, “The quickest method ain’t always the best!” In other words, simply desaturating an image may not always produce the finest results, but it’s worth knowing about. In this column, you’ll learn four different methods, all without harming your original. Not only does the process create a unique piece of art, it can turn back time for a vintage look, as well as hide color problems. Turning a color photo into a black-and-white is a fun and useful technique to learn, plus it never goes out of style.
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